Shaboozey performs throughout the 2024 iHeartRadio Music Pageant in Las Vegas on September 20. Since July, his track “A Bar Track (Tipsy)” has held onto the highest spot on Billboard‘s singles chart, however this week it falls to model new track.

Bryan Steffy/Getty Photographs

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Bryan Steffy/Getty Photographs

Shaboozey’s “A Bar Track (Tipsy)” sat at No. 1 on the Billboard Scorching 100 for 15 weeks, however that run has been interrupted by Morgan Wallen’s “Love Someone,” which enters this week’s chart on the high spot. The albums chart has its justifiable share of motion, too, as rapper Yeat enters at No. 1, the Okay-pop group SEVENTEEN debuts within the high 5, and final week’s 4 largest debuts all stick round within the high 10 for a second week.

TOP ALBUMS

For albums that debut in the Billboard high 10, there are normally two distinct trajectories: You’ve bought your immovable objects (Taylor Swift, Sabrina Carpenter) who debut on the high and barely budge for months, and also you’ve bought your supernovas (Coldplay, for instance) who debut at or close to the highest, solely to plummet speedily into oblivion. Within the streaming period, the Billboard 200 is fairly unforgiving that approach.

In the event you checked out final week’s chart, with its 4 debuts — Jelly Roll’s Fantastically Damaged at No. 1, Rod Wave’s Final Lap at No. 2, GloRilla’s Superb at No. 5 and BigXthaPlug’s Take Care at No. 8 — you’d be forgiven when you thought no less than one or two of them have been in for precipitous second-week declines. You’d even be unsuitable: Every of the 4 slides simply two spots (Jelly Roll from No. 1 to No. 3, Rod Wave from No. 2 to No. 4, GloRilla from No. 5 to No. 7 and BigXthaPlug from No. 8 to No. 10).

This week’s debuts are led by the rapper Yeat, who enters this week’s chart at No. 1 with Lyfestyle; it’s his first time topping the Billboard 200, although his 4 earlier albums all landed within the high 10. It gained’t be a straightforward feat to keep up in upcoming weeks, provided that roughly two-thirds of Lyfestyle’s present chart success is derived from album gross sales — together with many variant editions made obtainable by the rapper’s webstore — relatively than streaming, which is what fuels long-term chart success today. Nonetheless, it’s a powerful feat for an ascending artist.

Talking of rising stars, the all-caps Okay-pop group SEVENTEEN debuts at No. 5 with SPILL THE FEELS — its sixth consecutive file to chart within the high 10 — whereas Gracie Abrams zooms again into the highest 10 after a one-week keep at No. 2 again in July. Abrams’ The Secret of Us has rattled round within the charts’ higher areas ever since, nevertheless it surges from No. 19 to No. 8 this week due to the discharge of a deluxe version with a batch of unreleased songs.

Rounding out the highest 10, Sabrina Carpenter’s Quick n’ Candy climbs from No. 4 to No. 2, Morgan Wallen’s One Factor at a Time surges from No. 9 to No. 6 and Billie Eilish’s Hit Me Onerous and Comfortable dips from No. 7 to No. 9. And three of 2024’s largest pop-music tales — Charli XCX’s Brat, Chappell Roan’s The Rise and Fall of a Midwest Princess and Taylor Swift’s The Tortured Poets Division — all slide out of the highest 10 concurrently, albeit simply barely. All or any may actually surge within the coming weeks, as Grammy nominations are introduced Nov. 8 and Swift drops one other deluxe version of Tortured Poets on Nov. 29. Nonetheless, it’s been ages since we’ve seen a high 10 with out Roan or Swift.

TOP SONGS

Final week on this house, many paragraphs have been spilled gaming out Shaboozey’s path to a record-setting run at No. 1. “A Bar Track (Tipsy)” had been on high for 15 nonconsecutive weeks, inserting the all-time file — set in 2019 by Lil Nas X’s “Previous City Street,” that includes Billy Ray Cyrus, which topped the Scorching 100 for 19 weeks — effectively inside its sights.

This week, Shaboozey appeared destined to tie the longest run of the 2020s, set final 12 months by Morgan Wallen’s 16-week chart-topper “Final Night time.” However this time round, Shaboozey has been surpassed by … Morgan Wallen, whose new track “Love Someone” enters the chart at No. 1. Given the longevity of two previous Wallen hits — his Put up Malone collaboration “I Had Some Assist” dips from No. 5 to No. 6 this week after topping the chart for six weeks at the start of this summer time — it might be an uphill battle for Shaboozey to reclaim the throne. However “A Bar Track (Tipsy)” is nothing if not sturdy, and it’s nonetheless mendacity in wait at No. 2.

Morgan Wallen isn’t the one artist to debut on this week’s high 10. ROSÉ and Bruno Mars additionally make an auspicious chart entry, because the staggeringly catchy “APT.” bows at No. 8. Mars has been a high 10 mainstay for ages — and his duet with Woman Gaga, “Die With a Smile,” holds regular at No. 4 this week — however ROSÉ, who’s finest referred to as a member of BLACKPINK, has turn into the first-ever feminine Okay-pop artist to land within the Billboard high 10. (A handful of male Okay-pop artists have finished it: BTS, in fact, together with solo efforts by members Jung Kook and Jimin, plus Psy.)

Billie Eilish’s “Birds of a Feather” dips from No. 2 to No. 3, whereas Sabrina Carpenter solely has two songs within the high 10 relatively than her normal three: “Espresso” slides from No. 3 to No. 5 and “Style” drops from No. 8 to No. 9, however “Please Please Please” is left on the skin trying in at No. 12.

Two unkillable songs spherical out the highest 10: Teddy Swims’ “Lose Management” dips a spot from No. 6 to No. 7, because it ties two different songs — Wallen’s “Final Night time” and Dua Lipa’s “Levitating” — for the third-longest all-time run within the Billboard high 10, with 41 weeks. And Benson Boone’s “Stunning Issues” drops from No. 9 to No. 10.

WORTH NOTING

As famous above, the streaming-era Billboard charts are marked by a mixture of the venerable and the ephemeral. One benefit of the brand new system — and particularly its fickle nature — is that it affords a snapshot of fan sentiment within the second, in ways in which charting album gross sales alone couldn’t do practically as successfully.

After former One Route member Liam Payne died on Oct. 16, a method followers mourned was to stream the One Route catalog, as evidenced by this week’s Billboard 200. All 5 1D studio albums re-enter the chart this week: FOUR at No. 31, Midnight Reminiscences at No. 38, Made within the A.M. at No. 62, Up All Night time at No. 88 and Take Me Residence at No. 103. Little question aided by the way in which streaming algorithms work, the 1D surge even prolonged to Payne’s former bandmate Harry Types, whose 2022 blockbuster Harry’s Home re-enters the chart at No. 192.

The charts are additionally a helpful metric for measuring fan anticipation. Tyler, The Creator’s new album Chromakopia dropped Monday, so it hasn’t but registered its presence on the Billboard charts, although the one “Noid” bows on this week’s Scorching 100 at No. 43. Nonetheless, Tyler’s catalog has already begun surging: IGOR leaps from No. 91 to No. 39, Flower Boy climbs from No. 127 to No. 92 and Name Me If You Get Misplaced re-enters the chart at No. 100. Even with the bizarre Monday launch date, count on a giant chart debut for Chromakopia subsequent week.